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https://hdl.handle.net/20.500.12104/87191| Title: | The American Nightmare, or the Revelation of the Uncanny in three documentary films by Werner Herzog La pesadilla americana, o la revelación de lo extraño en tres documentales de Werner Herzog |
| Keywords: | Documentary device;sequence shot;Werner Herzog;direct cinema;ecstasy;Dispositivo documental;plano secuencia;Werner Herzog;cine directo;éxtasis |
| Publisher: | Centro Universitario de Ciencias Sociales y Humanidades -Universidad de Guadalajara |
| Description: | This paper analyzes three Werner Herzog’s films: How Much Wood Would a Woodchuck Chuck (1976), Huie’s Sermon (1981) and God’s Angry Man (1981) through his use of the sequence shot as a documentary device. Although the strong relation of this way of shooting with direct cinema, Herzog deconstructs its use to generate moments of filmic revelation, away from a mere recording of events. El presente artículo analiza tres obras de la filmografía de Werner Herzog: How Much Wood Would a Woodchuck Chuck (1976), Huie’s Sermon (1981) y God’s Angry Man (1981) a partir del uso del plano secuencia como dispositivo documental. A pesar del vínculo de esta forma de puesta en cámara con el cine directo, Herzog deconstruye su uso para la generación de momentos de revelación fílmica, lejos del simple registro. |
| URI: | https://hdl.handle.net/20.500.12104/87191 |
| Other Identifiers: | http://www.comunicacionysociedad.cucsh.udg.mx/index.php/comsoc/article/view/6940 10.32870/cys.v0i32.6940 |
| Appears in Collections: | Revista Comunicación y Sociedad |
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