Assembling a Cinematic Universe

Machado, Pablo

Por favor, use este identificador para citar o enlazar este ítem: https://hdl.handle.net/20.500.12104/88472

Registro completo de metadatos

Campo DC	Valor	Lengua/Idioma
dc.creator	Machado, Pablo	-
dc.date	2018-09-01	-
dc.date.accessioned	2021-10-09T02:20:32Z	-
dc.date.available	2021-10-09T02:20:32Z	-
dc.identifier	http://elojoquepiensa.cucsh.udg.mx/index.php/elojoquepiensa/article/view/297	-
dc.identifier.uri	https://hdl.handle.net/20.500.12104/88472	-
dc.description	The following essay will touch on the way that the Marvel Cinematic Universe has shifted on its storytelling method in order to maintain the genre of the superhero genre relevant in such an overcrowded market. The themes added to the movies as time has progressed and the mesh of different genres, are some of the ways in which the genre has been kept fresh, as well as the addition of filmmakers who have never worked in Hollywood mega-productions with massive budgets and huge audience expectations.	es-ES
dc.format	application/pdf	-
dc.language	spa	-
dc.publisher	Universidad de Guadalajara	es-ES
dc.relation	http://elojoquepiensa.cucsh.udg.mx/index.php/elojoquepiensa/article/view/297/300	-
dc.rights	Derechos de autor 2018 El ojo que piensa. Revista de cine iberoamericano	es-ES
dc.source	El ojo que piensa. Revista de cine iberoamericano; No 17 (2018); 111-127	en-US
dc.source	El ojo que piensa. Revista de cine iberoamericano // e-ISSN: 2007-4999; Núm. 17 (2018); 111-127	es-ES
dc.source	2007-4999	-
dc.title	Assembling a Cinematic Universe	es-ES
dc.type	info:eu-repo/semantics/article	-
dc.type	info:eu-repo/semantics/publishedVersion	-
dc.type	Artículos académicos y científicos	es-ES
Aparece en las colecciones:	Revista El ojo que piensa

Ficheros en este ítem:

No hay ficheros asociados a este ítem.

Mostrar el registro sencillo del ítem